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Archives for July 2015

It Must Be Epic

Now that we’re getting to the end of my novel in book club, I have noticed a distinct shift in the attitudes and comments – see my blog from earlier this week for those. However, what I’ve noticed even more so, is that my attitude toward working on the book has changed. Lately I have found myself darn close to terrified when I sit down to work. There is something about working on the end that feels much heavier then working on the beginning or the middle. It’s almost like the first couple of pages are important, the end is critical and everything in between can be kind of mushy. I don’t truly believe that, but I’m starting to think that subconsciously I do!

It’s as if my brain decided I have leeway on the middle bits. If there’s a chapter that isn’t great, meh! Whatever, the next one will be better, and it’s all just driving to the end anyway. Therefore, the end has to be spectacular. Every word carefully chosen, every sentence constructed with precision, every paragraph modeled with meticulous care. It must be EPIC! Now I get that endings are important, but if the middle of the book sucks, no one is going to get to the epic ending.

LOTR

Not to mention, I find it highly ironic – real ironic, not Alanis ironic – that my book takes place during the Civil War and I’ve built the end up to be huge. When in real life, the Civil War just kind of petered out as Grant wrapped his troops around Lee’s siege of Petersberg and squeezed them like a python. Lee and Grant had no breathtaking victories or sweeping campaigns in 1865. They were all camped out in Virginia. Grant recognized that his greatest resource was men, and he kept throwing more and more men at Lee, until Lee had too few to continue. The end of this war lacked the dramatics that say WWII had.

Yet subconsciously I think that I have built the end of my book up as if it were a Hiroshima or a Nagasaki. Not a siege that slowly collapsed like a flan. Not that I want the end of my book to slowly collapse, but I’m trying to get my head space somewhere in the middle. A nice healthy space that is not sad deflation, but also not atomic bomb. So far, I am not succeeding at all and find that I am highly intimidated by my rewrites. Therefore, I have come up with a new mantra – “Trust the outline, and focus on the chapter, not the end.” We’ll see how it works.

Do other people blow the importance of the end of something out of proportion too, or is that just me?

A Change in the Winds

I have blogged about my book club before, but for those not familiar, every two weeks I invite a select group of people over to my house. I cook them dinner and we read two chapters from my novel out loud. After each chapter, they discuss, ask questions and I take notes. The feedback is absolutely invaluable, and has made my novel so much richer then it would have been had I written it in a vacuum. However, I have noticed a shift in the atmosphere at book club lately.

Last night we read chapters 38-39 of 48. In other words, we are coming up on the end. As this novel takes place during the American Civil War, I think it’s safe to say without spoiling anything that not all of the characters survive to the end of the book. It would be a rather odd story if no one died over the course of a war. That being said, ten chapters ago I was getting comments like, “I really like this character.” Or, “Oh! I love when this character is in a chapter.” Now that we’re nine chapters from the end of the book, I’m getting comments like, “You realize that you have to bring this character back, right?” Or, “You better not kill this character. If you do, I’m done.”

Secondary Character

Now I would expect these kind of reactions about my main characters. However, what is taking me aback, is that I’m getting these threats about my secondary characters. It cracks my shit up! And also makes me feel all warm and fuzzy inside that people actually care about the secondary characters, but mostly it cracks me up. It is so cool to see which characters are making an impression, and which ones have become an integral part of the story being told. Not to mention, it provides one hell of a blaring neon sign that says, “Hey! Don’t forget to wrap up this storyline!”

Which is helpful, because in the first incarnation of this novel, my character Mary kind of faded into the background never to be seen again. I caught that misstep on my own, but I’ve been paranoid ever since that I’m going to forget about a character. Then after all of this work, all anybody will talk about is wondering what happened to so-and-so. After last night, that paranoia is gone. There is no way that Book Club is going to let me get away with that. Thank you friends, keep the threats coming.

A Place for Everyone

For the majority of my life, I operated under the assumption that I would always feel, to some extent, that I didn’t belong. That there would always be something that was off, that was not quite right. I grew up in a tiny mountain town in Colorado, yet I’m not really the biggest fan of being outdoors. Not to mention that I most definitely do not have a small town mindset. There are some people who do, and they love living in small, rural towns. To a small degree I envy them. There is a certain relaxation and simplicity that comes from a small community. Alas, it’s not for me. I go stir crazy.

I moved to Boulder, CO for college and when I graduated I moved to Denver, because even Boulder wasn’t big enough for me. Despite the drastic change in culture that I was yearning for, I didn’t feel like I belonged in either of these places either. I had friends, made some amazing memories, and generally enjoyed myself. Yet something was always off. I didn’t fit into the party culture at CU – I was a VERY serious 18 year old. I hated winters. The cold, the snow, the ice, the layers of clothing that were necessary. I was always turning down invitations because I didn’t want to go camping, mountain biking, hiking, skiing, etc. Essentially all of the amazing and wonderful things that people move to Colorado for, I had no interest in doing. I didn’t fit in.

seagulls-at-sunset

Then I moved to LA, and after a couple of rough years of getting on my feet, I find that I LOVE it! The things that people always bitch about LA for – the insane traffic, the higher cost of living, the rude people, the earthquakes, etc. – don’t bother me. I don’t care. Do I still get annoyed from time to time with the traffic, yes? I think you would have to be dead to avoid getting annoyed with the traffic. But oddly enough, it isn’t a huge detractor for me. None of the negatives are, because there are so many positives. I love the anonymity that I have in this city. I can go out and run errands for half the day and never once run into somebody that I know. Or I can meet up with friends and the possibilities of what we can do are endless. I wanna go see a play, there are dozens to choose from every weekend. We want to go out to dinner, pick your poison. You feel like Chinese food and donuts? I know a joint. It’s amazing, and to be honest I still don’t think that my awe at what this city has to offer has waned.

Donuts and Chinese

And did I mention no winters? Oh yeah, no snow. At all. Ever. I finally found my city! Yet, I will be talking with friends out here, and some of them have attitudes that are so completely different. They yearn for aspects from wherever they came from, and have trouble calling LA home. It is simply where they live right now. I get the same feeling from them that I had when I lived in Colorado. So I’ve come up with a theory. I believe that there is a place for everyone. Some place on this globe where you feel at home. Where you feel that people get you and your environment nourishes your soul. Some people are lucky enough to be born in that place, while others have to travel around the world to find it. I truly believe this, and when I was chatting with a friend a couple of days ago, I got my first confirmation of this belief. She moved to New Zealand almost a year ago, and when I asked her if she was going to try to renew her Visa, or come back to the States, her answer was immediate and resounding: Stay in New Zealand. She has found her place, and the thought of going anywhere else seems absurd.

I don’t really know how to conduct research on this, science never being a strong subject for me, but I definitely have a hypothesis – there is a place for everyone. Have you found your place? Let me know!

Stay Out of the Water

Anybody that has spent any time with me knows that I am not a fan of nature. Not the views and such, I can sit and take in the beauty of nature all day long . . . from a patio. When you stick me in nature, sans patio, I become the whiny camper. Okay, in Colorado I was known as the whiny camper, here in LA I’ve been called outdoorsy. That’s because I am fine with the outdoors as long as all conditions are perfect, and my exposure is limited. As long as I’m not too cold or too hot, as long as I don’t see a snake or get something gross on me, as long as my food doesn’t wind up with a bunch of dirt/sand in it, and I don’t get blisters on my feet . . . you get the idea. I’m the whiny camper.

Nature

Therefore, I tend to stay out of the wild and all involved are happy. This attitude toward nature strikes many as strange, since I grew up in the wilderness. In school we learned how to make snow caves and what to do should you run into a bear or a mountain lion. I wore bright orange while playing outside during hunting season. Tick checks were an almost daily occurrence during the summer. I was inundated with nature. So you would think I would be a bit more comfortable in it. The thing is, I know quite a bit about nature, therefore, I also know what lives in nature.

As a human being, I enjoy my placement at the top of the food chain. It’s comfy up there, I like the view. The cows and chickens and carrots are all below me and I can find them nicely packaged for me at the grocery store. Life is good. It makes sense. But the second that I go out into nature, I am no longer at the top. Bears, lions, alligators, sharks, etc are all most definitely above me in the food chain should they wish it to be so. I am not really cool with that. I have nothing against them, per se, and believe that they should be allowed to live and let live. However, as animals don’t always agree with me on the “let live” part of the equation, I choose to stay out of their habitat. After events earlier this week, I feel even more justified in my decision.

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Like most of the world, I have become obsessed with watching the footage of that Australian surfer, Mick Fanning, being attacked by the great white shark. It is beyond amazing that he was able to escape completely unscathed, and it is beyond brave that fellow surfer Julian Wilson swam toward the attack to help, instead of heading to shore like Fanning was screaming for him to do. If I had been Wilson I probably would have turned into a cartoon character and run so fast that I ran across the top of the water with my legs rotating like pinwheels. (I tend to instantly levitate onto whatever is nearest me when I see a snake, so I feel that this is totally possible.) Despite the bravery, heroics and fast action by the water rescue folks, I am left with one lingering feeling every time I watch that footage: THAT IS WHY YOU STAY OUT OF THE WATER!!!

Seriously! Stay out of the water, there are things in there that will eat you! I know the odds are incredibly low. I’ve seen all of the statistics and I even follow Mary Lee the Great White on Twitter. I know that sharks rarely hunt humans on purpose, but I’m sorry, have you seen this graphic?

shark-attack-1

Forget the shark, if I take my glasses off, I can’t tell the difference between those three! Therefore, if you need me, I will be sitting on a patio, sipping a fruity cocktail and feeling completely justified in being the whiny camper.

A Little Clarity

Since the beginning of the year, I have been trying to write a motivational book based off of the lives of the women that I study for my Heroines of History biographies. As you can probably guess by the way that I phrased that, I have not made much headway. I have an outline. Most of an outline. It’s been on my To-Do list, don’t get me wrong. It just happens to have been playing hopscotch down my list for months. Instead of actually working on it, I simply move it to another day. I figured I’d get to it later. Then later, turned into later, which turned into later, which turned into, “I am never going to work on this am I?”

That’s when it occurred to me. Maybe the reason that I kept putting off working on it, is because I didn’t actually want to work on it. Maybe part two of my Heroines of History plan (books geared toward juveniles) should have actually been part one. Ah-ha! I don’t want to scrap the motivational book completely, but I don’t want to do it first.

It was also around this time that I was bemoaning the fact that I can’t draw. Well, let’s say that my skill is not good enough to illustrate a children’s book. I have the text for my next book done, but as my illustrator is currently engaged, I can’t move that project forward. Which was making me REALLY frustrated. Not at my illustrator, but at myself. That I was unable to do it on my own and was reliant upon somebody else. I know, *gasp* having to rely on somebody else is the worst thing ever! I bet you can guess which answer I choose on personality tests when they ask if I prefer to work by myself or in a team.

No I in Team

I was seriously working myself up over this. Then, once more, a realization hit. I don’t need to publish two children’s books in the same year. This one can wait until next year. The world will not end and all of my plans will not go up in smoke. 2016 is a lovely publication year for Monsters in the Night. So, that project can be shelved for a bit and I can focus on other things . . . like finishing my novel and working on step two (which is now step one) of my Heroines of History plan.

Amazingly enough, since switching up these priorities I have been a lot more excited about working on my projects. I have gotten more done in the past two weeks with my juvenile Heroines of History books, then I got done with my motivational book all year. I can’t stop thinking about it. I had to take a break from doing the dishes last night so that I could write out some notes. I wish that I had more time to work, and I can so clearly see the path that this project needs to take. I had none of that with the motivational book. In fact, I was trying to figure out how to motivate myself to write the motivational book.

im-not-sure-but-something-is-wrong-here

As for my novel, I have rewrites and things to do piled up to my eyeballs, but instead of getting stressed out about it, I’m excited for where it is going, and how close I am to being done. Seriously, so close! I can almost taste it! Once again, I’m excited about my work. Go figure, I started focusing on what I wanted to do and on what I can do instead of what I thought I should do, and what I couldn’t do and things got so much better. I am of course saying all of this, so that in a month and a half when I start freaking out about things that are completely out of my control and I don’t want to see another word about the Civil War, you all can remind me of the way that I feel right now. And then tell me to get back to work.

Two Steps Forw- Nope! Just Kidding!

Lately I have found myself getting really frustrated by setbacks, or my lack of ability to do certain things. I understand the principles of marketing, but I can’t come up with or implement a successful marketing plan to save my life. I might as well throw my money at a fan and watch it fly away to never be seen again. I can write a thousand words that paint a beautiful picture, but I can’t draw a picture that speaks a thousand words. Which wouldn’t be a big deal, except for the fact that I write children’s books and I can write them one hell of a lot faster than anyone would be able to illustrate them.  Which in the grand scheme of things, these are easy to overcome. Hire a marketing team. Hire a couple of illustrators. Easy.

baby-throwing-money-away

Except for the fact that I can’t afford a marketing team, or a couple of illustrators. So I get frustrated and determined that I’m going to do it myself and wind up wasting a whole lot of time and money . . . because as previously stated, these things are outside of the realm of my abilities. That’s when the trouble comes in. I can’t do it, I can’t pay someone else to do it, so clearly there must be something lacking with me. I am deficient. Which logically makes absolutely no sense. We can’t all be good at everything, so why should it mean that something is wrong with us when we can’t do something? It shouldn’t and it doesn’t mean that. Yet, that is where my brain inevitably goes. Sometimes it goes so far, that my so-called short-comings over shadow the things that I do well . . . which leaves me in a depressed lump sitting on my couch surrounded my projects that need to get finished and no motivation to do anything other than marathon “Murder She Wrote” and play Yahtzee on my iPad. Theoretically speaking, I definitely haven’t actually done that . . . this past weekend . . . I might have played bowling on my iPad too . . .

Eventually I come to my senses – or the internet stops working and I can’t watch “Murder She Wrote” any more – get off my butt and start doing things. It is in the doing that I remember that setbacks are not deficiencies in myself. They are hurdles to be jumped over and left behind. Yes, I’m going to trip on some of them, but I’ll figure out why I tripped so that I won’t trip the next time that hurdle comes up. I used to tell employees that I trained, that I didn’t mind or get upset over questions or over someone not knowing how to do something. I got upset over people asking the same questions or making the same mistakes without ever learning from them. Setbacks are not deficiencies, they are opportunities for learning. Wow, how cornball is that? I feel like I need to make a motivational poster now.

You didn't expect me to make a real motivational poster did you?

You didn’t expect me to make a real motivational poster did you?

At any rate, that is where my headspace has been lately. Then I had lunch with a friend and lo and behold, she is having the same issue with feeling inadequate over the things that she finds herself unable to do. Crazy! It’s not just me. Once more life provides me with a flashing-neon-lights example of how my problems are not special. They are not unique. People not only know my pain, they feel my pain because they have the same damn pain. I’m starting to feel like emotions are like stories. They’ve all been told a million times, we’re simply slapping new titles on them. That is a good thing though, because it means that whatever issue, whatever problem you are having, somebody, probably thousands of somebodies, have had the same thing and gotten through it. If they can get through it, so can you. There’s comfort in not being alone. So to me, and to everybody else dealing with the same issue – An inability to do one thing, does not make you deficient as a person, or detract from the things that you do well.

Now to say that a million times until I actually believe what I’m saying.

Okay fine, here's something that's actually motivational.

Okay fine, here’s something that’s actually motivational.

Disillusioned with Mediocrity

I got into a conversation recently with a colleague about how we had both noticed a trend of mediocre work being in theatre/writing/art. Worse yet, the people doing that work didn’t realize it was mediocre. It is almost as if the bar has been set at knee level, and people are operating under the assumption that the bar is set high. So when they easily clear it, they celebrate their great work, never realizing that they are fulfilling only a modicum of their potential. I don’t understand where this comes from, or how people can be happy with work like that. My colleague posited that it is stemming for the “everybody gets a trophy” generation. If you get an award for showing up, then why bother putting forth extra effort.

low-bar-winner

To a certain degree, I have to agree with him. I never understood that mentality. When I was kid the top three people got an award, and the rest didn’t. You had to work for the prize and you had to learn to deal with the disappointment if at the end of the day you weren’t good enough. I am extremely competitive, and as a kid I hated it when I didn’t win at something (truth be told I still do, but I’m much better at coping now). But what I hated even more than that was somebody getting the same award as me, for work that wasn’t as good. Which I think to a large extent is why this new trend is driving me absolutely nuts! I want to gather up all of these artists then show them the difference between what they’re doing and what they could be doing. Explain that they are not mediocre artists, but that they are producing mediocre work. Show them side by side, their mediocrity next to brilliance, in the hopes of lighting a fire under some of them to strive for better. To raise the bar.

Sadly, I feel like the only thing that would come of this is that they would band together with their other comrades who are content with sub-par, and make fun of those putting forth the extra effort. I’m not just being cynical here, I’ve seen it happen. When confronted with truly great work, those not living up to their potential tend to get defensive and lash out. They are happy and comfortable with the bar at a height they can easily jump. No fear of failure. But no chance of failure also equals no chance at brilliance, and as artists isn’t that what we should all be striving for? Not perfection, that’s impossible, but brilliance. Even if it’s only a spark, or a moment, shouldn’t we be striving for a moment of brilliance that takes your audience’s breathe away?

In that pursuit there will be struggles and failures. There will be stumbling blocks and set-backs. The crazy thing is that those are good! You have to fail before you can be brilliant, because you have to learn how NOT to do something. You have to try out all of the different ways to reach a final product and some of them will not work. We can learn a hundred times more from our failures than we can from our successes. So why are people so terrified of failing? Yes, it sucks. I’ve been there myself. A lot. But it is a necessary part of life. Failure is the only way to learn and get better, but it seems like the artistic world is being inundated with those who are content to play it safe. As they have found an audience willing to applaud those meager efforts I’m afraid they’re not going anywhere any time soon. I find myself disillusioned by the whole thing.

Twain expectations